npr:

laughingsquid:

What Life Would Be Like If You Were a Dog

Spoiler alert: Twice as much sleep, twice as much food.

Interesting.

(via buzzfeed)

1,777 notes

houckaholic:

She said: You’re one in a million You’ve got to burn to shine,

Tragic.

houckaholic:

She said: You’re one in a million
You’ve got to burn to shine,

Tragic.

(via queenofsix)

8 notes

televisionwithoutpity:

dailydot:

RIP James Gandolfini. No one could have made getting the morning newspaper as cool as you.

Very upsetting news.

televisionwithoutpity:

dailydot:

RIP James Gandolfini. No one could have made getting the morning newspaper as cool as you.

Very upsetting news.

237 notes

tellmeyoufeelthisfire:

MY LIFE HAS BEEN GIF’ED. 

46,598 notes

house stark memeone wolf, Grey Wind

Grey Wind, her son had named him. A direwolf large as any elkhound, lean and smoke-dark, with eyes like molten gold. When the beast padded forward and sniffed at the captive knight, every man in that hall could smell the scent of fear. Ser Cleos had been taken during the battle in the Whispering Wood, where Grey Wind had ripped out the throats of half a dozen men.

(via maisiewilliams)

1,739 notes

aseaofquotes:

Franny Billingsley, Chime

aseaofquotes:

Franny Billingsley, Chime

1,314 notes

Within art history, there is a codified manner in which we work. Must we feed these conventions? I’m not suggesting in any way that we reject traditional modes of scholarship (e.g., print publishing, conferences, etc.), but I am suggesting a reform within the field that finds impactful ways to use the technologies and international network given to us by the internet. Let’s discover and create new ways of practicing art history. Let’s redefine ‘art historian.’ In doing so, we’ll face practical and ideological roadblocks, but to get to a point where we can begin discussing these obstacles, we need to do a few things. First, we need to address the fact that the digital age isn’t going away. It’s not a fad. Art history will have to reckon with it at some point, so why not now? Second, we need to recognize and dissect our biases. It is because these unspoken biases exist in the shadows that digital art history cannot advance. Third, we need to ask some hard questions, including things like: What would digital art history ideally look like? What would its publishing forms be? Where would print publishing fit into this? How would authors secure their copyright in this new form of scholarship? Would ‘digital art historians’ be a new breed of scholar?

From “Art History in the Digital Age” on Caravaggista.com

For the state of digital art history, see Diane Zorich’s Kress Foundation report, Transitioning to a Digital World: Art History, Its Research Centers, and Digital Scholarship.

I’m hoping to revisit this topic soon.

(via caravaggista)

(via caravaggista)

50 notes

abandonedography:

Thonis-Heracleion (the Egyptian and Greek names of the city) is a city lost between legend and reality. Before the foundation of Alexandria in 331 BC, the city knew glorious times as the obligatory port of entry to Egypt for all ships coming from the Greek world. It had also a religious importance because of the temple of Amun, which played an important role in rites associated with dynasty continuity. The city was founded probably around the 8th century BC, underwent diverse natural catastrophes, and finally sunk entirely into the depths of the Mediterranean in the 8th century AD. (via)

(via spanglemaker9)

3,299 notes

nostalgiacancer:

We as a society really need to stop romanticizing the idea of “needing” romantic partners and “not being able to live without them” because it is incredibly unhealthy and leads people to wind up in unhealthy situations of dependency or feeling dependent and not thinking to change that mindset because it seems romantic

(via thingssheloves)

34,419 notes

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